10. monologue和dialogue;雖然由於篇幅限制獨白與對話節奏偏快,但配上女主富有磁性的聲線與本作戲謔自嘲的基調,效果還是不錯的。
9. playful BGM;很輕快,很得體。
8. 中谷美紀的演繹;夾雜成熟、年輕、偽裝、坦誠、迷惘、釋懷多種變化,相比阿拉垃圾,除了音色銷魂別無其他(或許這是角色需要吧╮(╯_╰)╭)。
7. “標準”結局;20分鐘的本子,無需奢求什麼跌宕起伏,有個畫龍點睛的“標準”結局已經很好。
6. 拉鍊scene;很生動,很聰明。
5. 女主;筆者偏愛高挑的貧乳=。=
4. 畫風和分鏡;畫風乾淨清新,分鏡節奏感很好,與劇本節奏和BGM節奏很吻合。
3. the depiction of phonies. Strictly speaking, the screenwriter does not consider these characters phonies - they are just people with inevitable tags who can't help but switch between different tags in order to "live a livable life"=.= As a result, you don't sense this stereotypical cynicism in the depiction of these people. Instead, the screenwriter leads you to appreciate or even laugh off what has been happening, rather than criticizing or condemning it.
2. 事後的人生感悟;這個具體不劇透了,總之和筆者共鳴相當大的一段,相信編劇meant to be empathetic in this part.
1. 片尾自嘲的一笑;本作筆者最喜歡的鏡頭,因為年齡太小無法體會,因為無論從邏輯還是情感上看似都不make sense,因為憧憬自己到了那個年齡會不會也有一樣的境遇與心態。
9. playful BGM;很輕快,很得體。
8. 中谷美紀的演繹;夾雜成熟、年輕、偽裝、坦誠、迷惘、釋懷多種變化,相比阿拉垃圾,除了音色銷魂別無其他(或許這是角色需要吧╮(╯_╰)╭)。
7. “標準”結局;20分鐘的本子,無需奢求什麼跌宕起伏,有個畫龍點睛的“標準”結局已經很好。
6. 拉鍊scene;很生動,很聰明。
5. 女主;筆者偏愛高挑的貧乳=。=
4. 畫風和分鏡;畫風乾淨清新,分鏡節奏感很好,與劇本節奏和BGM節奏很吻合。
3. the depiction of phonies. Strictly speaking, the screenwriter does not consider these characters phonies - they are just people with inevitable tags who can't help but switch between different tags in order to "live a livable life"=.= As a result, you don't sense this stereotypical cynicism in the depiction of these people. Instead, the screenwriter leads you to appreciate or even laugh off what has been happening, rather than criticizing or condemning it.
2. 事後的人生感悟;這個具體不劇透了,總之和筆者共鳴相當大的一段,相信編劇meant to be empathetic in this part.
1. 片尾自嘲的一笑;本作筆者最喜歡的鏡頭,因為年齡太小無法體會,因為無論從邏輯還是情感上看似都不make sense,因為憧憬自己到了那個年齡會不會也有一樣的境遇與心態。